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Poetry / Writings-
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Poems from The Composer Steps
into the Fire
excavation
He materializes in the morning
after a night of canyon excavations
where all of the stars
descend like attainable dreams
to the core of the Earth.
He is learning to navigate
the tunnels beneath the surface
as if learning to breathe
with his whole body.
Every night he finds all new hollows
inside himself waiting
for cave paintings, remnants of warm fires,
jewelry made of elephant tusks.
Here, down in the bowels of his essence,
reside the stars, tablatures,
and all the artifacts she buries
within him.
(to top)
in the trees
The wind isn't innocent anymore –
she uses it as an instrument.
The sky outside this window darkens
as she composes unwelcome nocturnes.
In the vacancies between days
she plays instruments with broken strings
in a winter orchestra
only I can hear.
Her bones are strung up
in the empty trees around my house.
She gives tone, rhythm to the wind
as she taps against the branches
and the trunks of the trees
all night and all day –
a minstrel
who has nowhere else to go.
(to top)
winter flowers
My mouth is full of winter.
Spring surrounds me like hungry flies.
I offer flowers at the end of my fingers.
I would speak but my lips have blisters.
Like any infection, my words need sterilized.
My mouth is full of winter.
When we embrace we only leave splinters.
Every injury, I have memorized.
I offer flowers at the end of my fingers.
Every year, every season slips by faster.
I measure distance with my heart – not my eyes.
My mouth is full of winter.
This hemisphere of mistakes will be perfect after
everything has been revised.
I offer flowers at the end of my fingers.
No one stays in this season – they're all
visitors.
They drop from my hands like suicides.
My mouth is full of winter.
I offer flowers at the end of my fingers.
(to top)
ready were the almanacs
God constructed a valley for reaching.
The mountains were cool and always evening.
I will find you in this place.
I won't find all of you.
The wake of her walk was wide and dementing.
I caressed the sweetness of her undertow.
This improbable dawn yields
blossoms shocked into open mouths.
O please be more than gilded grist, my sweet.
I wagered my wrists on your sincerity.
Between our lips there is a fragile silence stirring.
The waiting for something greater than us.
Ready were the almanacs
to display how lost I was.
(to top)
jars
In the cooling evenings the sky
came alive with lights.
We trapped them.
We swung our jars
through the air
harvesting stars
to take home.
We watched those jars shine
as if we had captured God’s tears.
Those lights never lasted long
in jars with no slits at the tops.
We never suspected
those tiny deaths
were our doing.
The cinders that resided in the air
burnt out or went away
or perhaps we caught them all.
Now, the air is thin with what is here
and thick with what is missing.
(to top)
you're all over the floor
Every corner of this house
has the deposits you’ve left
behind. You are woven into my couch. You clog
the drain in my bathroom sink.
Flakes of your skin and hair
wander around in the stale sunlight
like lost tourists. I inhale your exhaust.
The dust I’m leaving behind
will intertwine with your dust.
Our bodies will dance without us being in the room.
When the dancing settles down we will hide in corners,
under tables, like children hiding from
strangers. Eventually, we will be
discovered. We will be swept up and forgotten –
then we will be one
like we always should have been.
(to top)
striking matches under water
Her walking out
the door was
the wind being
knocked out
of my lungs,
the air being
sucked out of
this room.
Matches
would not
burn
when she was
gone.
When she was gone
flames were
a viable answer
to this shattered
equation
but I could not
get a strangled match
to spark.
I lacked
the ability
to live
or die.
Empty lungs
sucking on
hollow air
sound like
tires squealing
on blacktop.
After three
breathless days,
just as I was losing
my ability to do math,
she came back.
She came back
like Christ
but more like rain
to a scorched prairie.
My lungs in need
of saving,
in need
of oxygen,
which doesn’t
just linger
in the air,
were born again.
Tonight, she is
in this room
like I need oxygen
to be in this room.
The breaths
I’ve taken in tonight
have not been just
filtered and processed,
but I’ve lived
each one of them.
Tonight she is
in this room –
she allows matches
the opportunity to burn
but I choose
to strike them
underwater.
(to top)
drowning the ocean
Their marching is hushed like whispers
or rumors. The synchronized stomping of feet
sounds like thousands of clocks ticking toward
a moment of silence. The soldiers are pawns in a war
much like watches can’t run backwards.
Ordered to march, so the soldiers march
until they are told to halt but that order
never comes. They march all the way to ocean cliffs
where they drop off like seconds lost in sleep.
All they have been told is the ocean is
a problem long unresolved.
Even before they take that first step in unison
their uniforms are empty.
Armed hollow shells of soldiers marching
toward the sea like days are powerless
to not follow each other toward the apocalypse.
No heads sprouting from the collars,
no fists clinched at the end of sleeves means
no hands to shake, no faces to remember.
Point them in the direction of those cliffs,
wait for the sound of the waves to dissipate
as the soldiers fill the ocean.
Wait until this solution is no longer
the desired variable
but the new constant that needs solved.
Wait until you can’t tell who is winning –
when you can’t discern quiet marching
from waves breaking against rocks –
when they are the same thing.
(to top)
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